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By TRISHA THOMAS, Related Press
MILAN (AP) — In Milan’s stylish Victor Emmanuel II Gallery, a spacious mall that may be jammed with buyers had been it not for the pandemic, a younger Black girl sporting a violet hijab and matching lipstick propped up her cellphone and moved her hips to a tinny-sounding beat coming from the machine.
Aida Diouf Mbengue, 19, was recording a TikTok video to share along with her 330,000 followers. She is making a reputation for herself as a self-styled “Afro-influencer,” considered one of a gaggle of younger folks of African origin who’ve come collectively in Italy to attempt to enhance their social media clout.
Their marketing campaign is not only about views and followers, Mbengue mentioned. Along with her posts, she is making an attempt to destroy stereotypes.
“I’m representing women with the veil,” Mbengue mentioned in a latest interview with The Related Press, “I’ve a big Italian following, and this makes me glad as a result of most Italians don’t have something in frequent with me.”
As to her personal determine, she is evident: “I’m Muslim, I put on a veil, and I’m additionally Black.”
Some three a long time in the past, immigration was a brand new phenomenon in Italy, a predominantly white, Catholic nation with a protracted historical past of emigration. At this time, about 9% of Italy’s 60 million persons are international nationals, in accordance with the nation’s nationwide statistics company, ISTAT.
Almost one-fifth of these foreigners come from African nations, together with Mbengue, She got here to Italy from Kaolack, Senegal, along with her household at age 3.
Mbengue, who’s in highschool, mentioned she did not really feel discriminated towards as a pupil. However she says she began receiving racist messages as soon as she began posting movies of herself in a hijab.
“The discriminatory phrases included the N-word, or ‘monkey,’ ‘Return to your nation,’ ‘I’ll throw a banana in your face,’” {the teenager} mentioned. ”However you then notice it’s simply the standard individuals who need to make you’re feeling unhealthy, so that you snicker about it otherwise you simply let it go, and that’s it.”
A fast look by means of Mbengue’s TikTok and Instagram posts reveals that she additionally receives supportive feedback and a whole bunch of pink hearts and heart-eyed emojis daily.
Mbengue began making content material for TikTok, a video-sharing social networking platform, on a whim in 2019 with a easy video. The feedback indicated there was a lot ignorance about ladies who put on hijabs, with many assuming {that a} girl with a head scarf couldn’t be humorous, lighthearted or likable, she mentioned.
“I spotted I might use TikTok to open some minds,”https://www.usnews.com/” she mentioned.
Mbengue, who began sporting a hijab when she was 7 years previous, mentioned she is concerned by feedback from different hijab-wearers who’ve accused her of utilizing the scarf to draw consideration on social media.
She lives along with her mom, her father and 4 of her eight siblings in a small condominium within the Milan suburb of Romano di Lombardia and makes use of her smartphone to churn out dozens of posts a day.
Her mom, Die Mbaye, mentioned folks suppose {that a} “lady with a veil shouldn’t be able to doing distinctive issues.” Talking in Wolof language with Mbengue translating, Mbaye described her daughter as a “reference level for a lot of women who need to put on the veil however concern being judged.”
Stella Jean, an Italian clothier and Black Lives Matter activist, mentioned Mbengue represents Italy’s irreversible path towards multiculturalism.
“Seeing somebody doing TikTok may seem to be one thing frivolous and superficial. She needed to battle and push herself to get up to now,”https://www.usnews.com/” the designer mentioned in an interview in Rome.
“Luckily, that is the brand new face of Italy and we aren’t going again,”https://www.usnews.com/” Jean mentioned.
Copyright 2021 The Associated Press. All rights reserved. This materials might not be printed, broadcast, rewritten or redistributed.
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